It's a new year, but I'm going to revisit a topic from last year... any year for that matter. Can you record Broadcast Quality Music if you have a limited home studio? Yes, but it depends what you're recording. If you're trying to do big, lush Orchestral tracks, you're going to need outstanding virtual instruments or samples and lots of tracks. If however, you want to start out with some simple ideas that can and very well should get some Film and TV placements, you'll be surprised by how little recording gear and instrumentation you can get by with. Imagine...

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Film and TV Music Licensing Opportunities For Independent Musicians Running opportunities for Film and TV placements in our Music Industry Listings back in 1992 made me the laughing stock of the music business. It was unheard of for Indie artists and songwriters to get their songs placed in network TV shows or better yet, feature films put out by major Hollywood studios back then. Nobody seemed to know much about Production Music Libraries (which are Film & TV music publishers) - what they did, how they worked, or what kind of music they needed to license to TV or Film...

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Giving Your Tracks the Right Title Can Get Your Music in More Films and TV Shows You might think that writing great songs and instrumentals is the best way to license more of your music. You could be right, but here's a really simple tip that I'll bet you never thought of -- give your songs and tracks better titles that make them easier to find. Imagine that you're a music supervisor searching for music to license for a Television Show or Movie. As you type in your database query, "uptempo, male, country, instrumental," trying to find the perfect track...

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I recently had a member of TAXI's forum ask what the difference was between a production music library and a music publisher. Great question! Here's the answer I posted: Production Music Libraries and Publishers are both publishers, and it's my observation that the best music libraries get most of their best placements by doing hand to hand combat -- meaning that they develop relationships and actively pitch. Another observation is that Film and TV music supervisors really don't like to search databases for music. They'd rather email or call a human, have them cull a few tracks they think would...

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