How to Choose the Right Music Licensing Companies It seems like so many songwriters and artists have given up on the dream of getting a record deal with major record label. Flying around on private jets and trashing hotel rooms is a dream now long forgotten. Film and TV placements are the new "record deal." Most musicians don't know how to choose the right music licensing company or companies, because they haven't done their homework yet. They haven't learned how to know which company has the best chance of getting them a film or TV placement period, and they often...

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Film and TV Music Licensing Opportunities For Independent Musicians Running opportunities for Film and TV placements in our Music Industry Listings back in 1992 made me the laughing stock of the music business. It was unheard of for Indie artists and songwriters to get their songs placed in network TV shows or better yet, feature films put out by major Hollywood studios back then. Nobody seemed to know much about Production Music Libraries (which are Film & TV music publishers) - what they did, how they worked, or what kind of music they needed to license to TV or Film...

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My staff and I often get asked if there are Film and TV licensing opportunities for songwriters and artists who make Christian music. The answer is "yes," though maybe not as frequently as secular music. But fear not! Because the overall market is smaller, the number of people producing Christian Music is also smaller. It's proportionate. You could end up being a bigger fish in a smaller pond! But there's an often overlooked aspect to all this. Most artists and songwriters also do mixes without vocals as a matter of course these days. If your Christian lyrics and vocals are...

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I recently had a member of TAXI's forum ask what the difference was between a production music library and a music publisher. Great question! Here's the answer I posted: Production Music Libraries and Publishers are both publishers, and it's my observation that the best music libraries get most of their best placements by doing hand to hand combat -- meaning that they develop relationships and actively pitch. Another observation is that Film and TV music supervisors really don't like to search databases for music. They'd rather email or call a human, have them cull a few tracks they think would...

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