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TAXI Forwards – 1/17/17

January 18, 2017 by

Forwards for TAXI # S170107OB

“Handel Opening” & “Handel Closing” – Carey Domb

ORCHESTRAL-BASED INSTRUMENTAL COVERS of PUBLIC DOMAIN PIECES are needed by a global Media Giant for inclusion in its Exclusive, In-House Music Library, and ultimately for placements in its numerous TV shows, documentaries and online media.


Forwards for TAXI # Y170108CP

“Sit” – Silje H Golden

CONTEMPORARY POP SONGS with Male Vocals are needed by a Major Label for a very popular Male Duo with over 175 million Youtube views.


Forwards for TAXI # Y170109BB

“Break That” – Chuck Thurau

“Dirty Boy” – Jude R Pierre

HIP-HOP, BREAK-BEAT INSTRUMENTAL CUES are needed for a $250, Non-Exclusive, Digital (online) Commercial by one of the industry’s leading DJ’ing Software companies.


Forwards for TAXI # Y170110SS

“One Of These Days” – Robert Heath

“Leavin'” – Rachel A VanSlyke

“Sea Of Regret” & “100 Miles Away” – Charles P Hurowitz

“Big Ol’ World” & “Feels So Good” – Duff S Kelly

“Don’t Let Me Forget” – Grant Boroughs

“Lettin’ in the Sunshine” – Erik Nelson

“Haunting Me” & “Cool Cool Water” – Lauren E Spring

“The Family Tree” – Andrew Anka

“The End” & “Walk On” & “Half Way Home” – Ryan Minton

“Long Black Vine” – Zachary Trojano

“Story – La Capitana” – Ryan B Gaughan

“That’s All” & “Old Abandoned Feeling” – Simon Clancy

“A Life Without Sundays” – Joshua Meltzer

“Plain,Loud&Clear” & “I’m Still Here” – Landon Keller

SINGER-SONGWRITER SONGS with some FOLK Influence that have Male or Female Vocals are needed by a NON-Exclusive, Boutique Music Library that needs quite a bit of fresh, new material for TV and Film pitches.


Forwards for TAXI # Y170110PI

“Higher Life” – Panos Kolias

“Shining Eyes” & “Don’t Look Down” – Vincent Brennan

“Learn to Love” – Ken L Aaron

“Pop Circuit” – Eric A Johnson

“The Cool” – Zia C Moreau

“That Feeling Taking Over” – Steve Baruah

“Trop Island” – Jared Price

“Daydream” – Marc Wlodkowski

CONTEMPORARY POP INSTRUMENTALS CUES are needed for a $1,000, Non-Exclusive, Direct-to-Executive Producer placement in a Documentary that’s also being Executive Produced by a Multi-Platinum Music Producer.

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