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TAXI Forwards – 9/21/16

September 22, 2016 by

Forwards for TAXI #U160818HI

UNIQUE, CONTEMPORARY HIP-HOP INSTRUMENTALS with Blues, Jazz, Funk, or Soul elements are needed for several $2,500 to $5,000, NON-Exclusive,

“Crazed & Blazed” – Frank Wilkes

“S.X.Y” – Mikael Gunneras

“I Don’t Get Paid Enough For This Shxt” and “Momma’s a Fox” – Brittany Stephenson

“If*ckinghatesnow” – Tony C Dellomo


Forwards for TAXI #Y160904IT

INVESTIGATIVE TENSION INSTRUMENTAL CUES are needed by a Non-Exclusive, Boutique Music Library feeding music directly to an award winning show on major cable network.

“Geneetic Match” – Edd Charmant

“The Final Hour” – David W Reynolds

“Bones” – Derek E Handy

“Dark Disclosure” – Jim D Stamper

“Trauma Unit” and “The Waiting” – Peter J D’Angelo

“Ominusa” – Larry J Armer

“Under Tension” – Sergio Naranjo

“Lab Lurking” – Kenneth Wagner

“Glass & Scissors Part 1” – Dan Gillogly

“No Answer” – Bell Bloom

“Smooth Chaser”, “Homing Instinct” and “Shadow on the Floor” – Minoru Amino

“Critical Decision” – Daniel S Glicken

“Shadows of a Demon” – Steven B Buckner

“Associative Evidence” – Joseph Carpenter

“Hello Mr. Tension” and “Hello Again Mr. Tension” – Roy Osherove

“Cool Case” – Glenn Johnson

“Unreliable Witness” – Craig Robart

“Dreem” – John D Whitworth

“Broken Light” – Thomas Patt

“Looking Into You” – Jonathan Rucks

“Evidence” – Raphael Costa

“Gone Too Soon” and “The Equation” – Julie Ruppieko

“Under the Hood” – Philip Ber

Untitled – Joohyun Park

“Cold Case Warms Up” – Simon A Ritchie

“Hard Evidence” – Josue O Parrilla

“Fragments”, “Displacement” and “Influx” – Mark Lazeski

 

 


Forwards for TAXI #S160909WR

WEST COAST STYLE RAP/HIP HOP SONGS with Male Vocals are needed by a Music Supervisor-Owned Music Licensing Company with a long list of great TV and film placements.

“We Tryna Fight” – Matthew C Vander Boegh

“Keep Givin It Up” – Bryon D Epps

“Low Low” – Josh Crosby


Forwards for TAXI #U160909SJ

ORIGINAL SMOOTH JAZZ INSTRUMENTALS are needed for several $300, Non-Exclusive, Direct-to-Producer placements in a food-based documentary on PBS.

“Three in Five” – Stan Morris

“Venezia” – Chuck Henry

“Bossa” – Mark S Polott

“Imagine If” Steven Cristol

“Monterey” – Chris Ball

“Coming Home” – Joe Loskota

“Essence of Blue” – Roger MacNaughton

“No Time to Waste” – Carl England

“Far From Home” and “Where We Are” – Bob Mete

“Touch The Sky” and “Dill Pickles” – Richard C Pfenninger

“Skybell”, “In Your Eyes” and “Got You On My Mind” – Melani L Skybell

“I Want You Now”, “Tomorrow”, Paz Y Amor” and “Next to You” – Anthony Horowitz

“Robusto”, “Belicoso Bossa”  and “Moonlight Dream” – Dominick Serpico

“When You’re Here” – Charles P Hurowitz

“Ehnu” – Gabriel Saientz

“2nd Chapter” – Wayne Brunson

“Be With Me Tonight” and “When I Think of You” – Robert D Tribune

“Let Me Believe” – Bernie Chiaravelle

“Like Rain” – Tony Faison

“It’s A Good Day

“Mesmerized”, “Unrequited”, “The Artful Dodger” and “Eliza” and “Why Do I Love You” – Niahh McGuinness

“My Kinda Mellow” – Terry Gorka

“Where the Willows Weep” – Glen M Naylor

“Smoothette” – Eric Nielsen

“Back on my Feet Again – Sax” and “Back on my Feet- Sax” – Elayne Terranova

“Sonic Girls” – David Irvine

“Bossa Smooth” – Jill DeWeese

“Makonikey” – John Finbury

“Private Fantasy” – Wayne Wright

“Bojanglin’ ” and “Paraiso”

“A Dark Day” – Larry Magee

“Fine China” and “Now We’re Cookin'” – Paul Croteau

“Brazen” – Joseph Bradley

“Bay Breeze” – Marcus Cohen

“Down on Sunnyvale” and “Shared Dreams” – Katharina Thomsen

“Velvet Kisses”, “Rio Nights”, and “Table for Two” – Alan G Hewitt

ORIGINAL SMOOTH JAZZ INSTRUMENTALS are needed for several $300, Non-Exclusive, Direct-to-Producer placements in a food-based documentary on PBS.

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